Since so many of you enjoyed my post earlier this week on recreating Georgian silk floss fringe at Colonial Williamsburg, I couldn't resist sharing several more examples of 18th c. originals to show both the ingenuity and diversity of those long-ago fringe-makers.
This detail of a sleeve ruffle, top left, is from a sack back gown in the Victoria & Albert Museum. The gown is British, made from Spitalfields silk, and dates from 1760-1769. This understated but rich fringe was so carefully matched in color that it's almost an extension of the silk cloth.
The fringe, upper right, embellishes a mid-18th c. sack back gown from the costume collection of Paxton House, Scottish Borders. Although the sack was much altered in the 19th c. for fancy-dress wear, this multicolored fringe remains a bright accent on the white gown.
Another vibrant, multi-colored fringe, lower left, was recently spotted on eBay and featured on the excellent 18th c. costuming blog At the Sign of the Golden Scissors. This fringe is dated to a bit later, 1770-1780.
The fringe, lower right, is a rare survivor - a length of trim that somehow has survived on its own for over two hundred years, without a garment attached to it. It's late 18th c. French, and from the collection of the Metropolitan Museum of Art.
Finally, below, an over-the-top example of fringe combined with silk ribbon and flowers. Glorious excess! This is a detail of the front of the petticoat of a French Robe a la Francaise, 1750-75, from the Metropolitan Museum of Art.
3 comments:
Dear Lord they are all so beautiful. But picture number 2 makes my heart sing. Sooooooo gorgeous.
Thanks
Sometimes I really hate that I live 3K miles away. *sigh*
The bottom photograph is beautiful!
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