Thursday, October 17, 2013

A Stylish Paper Shopping Bag, c. 1850

Thursday, October 17, 2013
Isabella reporting,

While stores and shops have been around since ancient times, it wasn't until the late 18th c. that "shopping" became a verb, an activity that began to acquire as much importance as the object being purchased.

The Industrial Revolution created not only many more items available for purchase, but also a middle class full of customers with money to spend. Advances in printing technology also led to more imaginative ways for shopkeepers to advertise their wares. By the middle of the 19th c., savvy merchants were beginning to offer paper bags printed with their shop's names and addresses, a kind of walking advertisement that's still popular with today's shoppers in the local mall.

The early printed paper bag, left, from the 1850s is a rare survivor. The pleated-bottom bag must have carried home some sort of tasty treat: it came from a combined cook, confectioner, and caterer in Stamford, Lincolnshire, UK, who also promised "full-licensed dining and refreshment rooms."

But the illustration on the bag adds much more. A group of elegantly dressed ladies and gentlemen (plus a few equally well-dressed children) are shown playing croquet on the lawn of Burghley House, a grand Elizabethan country house built by Sir William Cecil, later Lord Burghley, and later the ancestral seat of his descendant, the Marquess of Exeter. The other side of the bag is printed with the romantic poem The Lord of Burghley, by Alfred, Lord Tennyson, to further reinforce the connection.

Decorating a humble paper bag with an image of a nobleman's home might simply have been civic pride, for Burghley House is the most spectacular landmark near Stamford. But it might also be an early example of "aspirational" marketing, implying that the sweets inside the bag will magically confer on the customer a bit of the elegant life shown on the outside.

This bag is from the Kislak Center for Special Collections, Rare Books and Manuscripts at the University of Pennsylvania Libraries, and is included in their current exhibition of recent acquisitions (through December 13, 2013). Their blog post highlights some of the other fascinating items included in the exhibition, from a 1926 Tent Revival Banner to a 15th c. genealogical chronicle that's 37 feet long, and traces the Kings of England all the way back to Adam and Eve.

Many thanks to Mitch Fraas, Bollinger Fellow at the University of Pennsylvania Libraries, for his assistance with this post.

Above: Paper Bag: J.T.Holmes, (Late Dawson) Cook, Confectioners, & Public Caterer, Full-Licensed Dining & Refreshment Rooms, 7, St. Mary's Street, Stamford. Birmingham: Martin Billing, Son and Co., Printers, c. 1850s. Rare Book & Manuscript Library, University of Pennsylvania.

Wednesday, October 16, 2013

A Historic Carousel Still Turns

Wednesday, October 16, 2013
Loretta reports:

Yes, there was a carousel, and yes, I rode it, something I haven’t done in centuries.  This was another treat at the Heritage Museums & Gardens in Sandwich, MA, on Cape Cod. Their American Art & Carousel Gallery contains a beautiful carousel.  Though built in 1908, it includes figures made over a twenty year span, as early as the mid-1880s.  Back then, the figures didn’t move up and down.  When overhead gears were introduced, they were converted—and let me point out that they move faster than one expects.  What they all have in common is the Looff factory.  Charles I.D. Looff, the founder, built Coney Island’s first carousel.

Though the original carousel was broken up and sold, the Heritage Museums have most of it today, thanks to Hallett Tobin, who diligently hunted down the carousel animals.  Sadly, he found the original mechanism had been left to the mercy of the elements.  However, the slightly smaller antique replacement is splendidly crafted and works perfectly. 

In nearby Rhode Island, another Looff Carousel has National Historic Landmark status, as well as being designated “the State Jewel of American Folk Art.”  I’d definitely classify the carousel in Sandwich as the jewel of the Heritage Museum’s eclectic collection, and perhaps a jewel in general of American Folk Art.  Certainly the figures are beautiful examples of the artisans' care and craftsmanship—down to the horses’ metal hooves and real horse hair tails.

Among bits of information I picked up about carousels:  Most have one major figure, with fancier decorations than the others, called the “lead” horse.  The operator used this horse to count the number of times the horse went round.

Lead Horse
I also learned an interesting difference between English and American carousels.  What do you think it is?

Tuesday, October 15, 2013

Beau Brummell's Greatcoat, c. 1803

Tuesday, October 15, 2013
Susan reporting,

I've written before (here and here) about Artist/Rebel/Dandy: Men of Fashion, the fantastic exhibition of men's clothing shown earlier this year at the RISD Museum. The coat, left, is a real rarity: an actual garment made for Beau Brummell.

The most stylish gentleman of Regency England, George "Beau" Brummell (1778-1840) was a friend of the Prince Regent and perhaps the first true arbiter of men's fashion. He was famously fastidious about tailoring, understated elegance, and personal cleanliness - qualities that had previously been in short supply among late 18th c. Englishmen.

This navy broadcloth greatcoat was made for Brummell by the London tailor John Weston about 1803. Often in debt, Brummell never claimed the finished coat from the tailor, and it languished, unworn and pristine, in the vault of the banker Coutts & Co. for over a hundred years. It truly is a beautiful garment, exquisitely stitched and tailored, and so closely cut that it's easy to see the lean, elegant male figure that Brummell must have possessed.

Seeing the coat also reminded me of a famous Brummell anecdote, relayed by his acquaintance Captain William Jesse in his 1844 biography The Life of George Brummell, esq., commonly called Beau Brummell. If you wish to wallow in more Brummell-isms, this book is now available to read online here.

"On another occasion, the late Duke of Bedford asked [Brummell] for an opinion on his new coat. Brummell examined him from head to foot with as much attention as an adjutant of the Life Guards would the sentries on a drawing-room day. 'Turn round,' said the Beau: His Grace did so, and the examination was continued in front. When it was concluded Brummell stepped forward, and feeling the lapel delicately with his thumb and finger, said, in a most earnest and amusing manner, 'Bedford, do you call this thing a coat?'"

Obviously, the poor duke wasn't wearing a coat like this one....

Above: Greatcoat, made by John Weston, c. 1803. Photo courtesy of Coutts/RISD Museum, Providence, RI.

Monday, October 14, 2013

The Dude & the Dandy

Monday, October 14, 2013
San Francisco Dandy ca 1880-1890
Loretta reports:

Having always associated the word “dude” with city slickers in American westerns, I was surprised to come across the term in Jerome K. Jerome’s Three Men in a Boat.  (Read about it here.  Read it online here.)  The earliest usage I find in Google Books (alas, I’m traveling without my OED or Webster’s) is 1883, although this source cites Terence.

The phenomenon is recorded in many 19th century American publications, like Puck, as well as here in the July 1883 Phrenological Journal and Life Illustrated. Unlike many other American slang terms, this one seems to have quickly crossed the Atlantic.

Dudes and dandies are often confused, especially by people who don’t approve of men who take what seems to be too much interest in their appearance.  But dudes have more negative associations.  They’re the cads and bounders and mashers, the card sharps and other well-dressed or overdressed types one oughtn’t to fully trust.

Dandy detail

Most of us are familiar with cigar store Indians, but may not be aware that many other types of figures stood at the doors of these shops.  The dude and dandy shown here are two of the many cigar store figures on display at at the American Art & Carousel Gallery of the Heritage Museums and Gardens (where I saw the Cars of the Future).
Dude ca 1880
Dude detail

The Dandy, which is reported to have stood in the lobby of San Francisco's Cliff House from 1901 to 1969, is carved from solid piece of wood, possibly reused ship mast. The Dude stood in front of a tobacco shop in Emporia, Kansas, selling Battle Ax Plug Tobacco.


Saturday, October 12, 2013

Breakfast Links: Week of October 7, 2013

Saturday, October 12, 2013
Served up fresh! Our weekly roundup of favorite links to other blogs, web sites, articles, and images, gathered from around the Twitterverse.
• Museum unearths rare Charles Dickens newspaper.
• In 1816, an escaped lioness attacked a Royal Mail mail coach traveling from Exeter to London.
• 1890s Kodak moments: photographs taken with Kodak's first commercial cameras are now 125 years old.
• The chocolate chip cookie celebrates its 75th birthday in Wakefield, Massachusetts.
• Put up your dukes: a day in the life in pictures of a bare-knuckle boxer.
• Made by his crew in his memory: the miniature coffin of Captain Cook, 1779.
Bookmobiles from a simple horse-drawn cart of the 19th c. to the four-wheelers of the 20th century.
• Can drinking tea turn you into a whore?
• Perfect for a Regency menu: 18th c. recipes for collaring meat.
• Illustrations from The Tour of Dr. Syntax through the Pleasures & Miseries of London, 1820.
• "Career Girl": picture portrait of a young woman in 1948 New York via Life magazine.
Autumn Landscape by Tiffany Studios, c.1923 is a stunning "painting" in stained glass.
• English embroidery: the forgotten wonder of the medieval world.
• In 1869 a servant girl in NYC's United States Hotel gets even with the haughty "upper servants" - she poisons them.
• Kings in the Tower of London.
• The story behind artist & art historian William Dunlop's quite poor portrait of George Washington.
• Did women make the majority of the oldest cave paintings? New analysis says yes.
• Between method and execution: the Bolsheviks found it hard to kill the Romanov daughters because they had sewn their diamonds into their corsets.
• A brief history of the ruff.
• The Dancing Cavalier: the dual lives of Civil War General Edward Ferrero.
Lost letters in the 18th century.
• Royal luxury: the newly reconstructed 15th c. Queen's Bathroom in Leeds Castle.
• The grandson of Vita Sackville-West and Harold Nicolson attempts to bring Sissinghurst to the 21st. century.
• Elizabeth Jackson, creator of early 19th c. knitting books.
• From a baby gas mask to the UV-ray baby branding prod: eleven terrifying childcare inventions from the early 20th century.
• The witches of Halloweens past: a brief history of witch costumes.
Hungry for more? Follow us on Twitter @2nerdyhistgirls for fresh updates daily.
 
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