Wednesday, May 8, 2013

Bustles, Bum Rolls, Cork Rumps, & Calvin Klein

Wednesday, May 8, 2013
Isabella reporting,

Even though fashion thrives on the new, newer, newest, even the most casual survey of fashion history shows that certain trends and styles just keep coming back for another appearance. After writing about bustles earlier this week, I began thinking of other eras when the emphasis was on the female backside. For the last five centuries or so, this emphasis has come during the '80s - the 1580s, 1680s, 1780s, 1880s, and yes, even the 1980s. It's a coincidence I can't begin to explain, but here's the proof. (As always, please click on the images to enlarge.)

Sixteenth century ladies liked their skirts large and round and shaped like drums. Their skirts were supported by hooped constructions called farthingales. By the 1580s, the most stylish ladies (like these dancing at the French court, upper left) enhanced their
farthingales further by adding a bum roll, or French farthingale: a tightly stuffed sausage-shaped pillow that tied around the waist and sat on the hips, adding an extra boost to their farthingales.

A hundred years later, and stylish seventeenth century ladies like the French countess, right, were choosing mantuas for court c. 1685. Worn over a matching or contrasting petticoat (skirt), a mantua was a trained open gown, draped at the hips, and with a long, trailing train. The mantua was worn over small hoops and stiffened petticoats, and the train was pleated and gathered into an oversized pouf to accentuate the rear view – which this caricature seems to think is the ideal place for a devil to ride.

Throughout the eighteenth century, hoops grew wider and wider (see here and here), but by the 1780s, the width was finally beginning to decrease, with the narrow columnar dresses of the Regency era on the horizon. There was one final exuberant exclamation of fullness, left, centered on the back skirts. Yards of light-weight fabric were pleated into the back waist to create the most fullness, and then supported by a pillow-like pad of cork (for lightness) that tied around the waist. This pad was inelegantly referred to as a cork rump, and inspired the caricaturists of the day like this and this.

The mid-1880s brought bustles at their most extreme, right. With their steam-punk blending of fashion and invention, these bustles sent a lady's skirts projecting so sharply that they turn up at an acute angle from the waist, as if trying to take flight. No wonder the children are staring in wonder!

By the 1980s, the artificial padding had settled on the shoulders, not the hips and bottom. But the emphasis on the posterior achieved a new intensity with the introduction of designer jeans. Previously jeans were the clothes of rebels, cowboys, and 60s hippies, and few were made to fit a women's figure. Savvy designers soon combined the casual feel of traditional jeans with a skin-tight fit and back pockets that featured studs, rhinestones, appliques, and fancy stitching. Brooke Shields standing with her butt angled outward in her Calvin Klein jeans, below left, caused a huge furor - even as her posture echoes centuries of past fashions.

Upper left: Evening ball for the wedding of the Duc de Joyeuse, detail, c. 1582,
Louvre.
Upper right: Anne Marie Francoise de Saint Hermine, comtesse d'Mailly, c. 1685
Lower left: Fashion plate, from Magasain des Modes Nouvelles, Francaises et Anglaises, July 1787.
Lower right: Fashion plate: Evening dresses from The Season, vol IV, February 1885. New York Public Library Digital Gallery.
Bottom: Calvin Klein jeans advertisement, featuring Brooke Shields, 1980.

6 comments:

MrsC (Maryanne) said...

And what about all those butt bows on prom gowns, cascades of frills arching upward, and peplums? There was plenty of bustle action in the 1980's indeed. And what about this:
http://www.etsy.com/listing/98538212/vogue-wedding-dress-sewing-pattern

Isabella Bradford/Susan Holloway Scott said...

MrsC - There definitely was plenty of bustle-action happening in the 1980s, and in polyester satin, too! Thanks so much for sharing that pattern photo. I wonder how much "structure" was included inside that poufy backside. I wore a bridesmaid's dress (long, long ago) that had a vaguely bustle-like skirt that was stuffed on the underside with nylon netting, much like dish-scrubbers. NOT comfortable! :)

Elizabeth Varadan, Author said...
This comment has been removed by the author.
Elizabeth Varadan, Author said...

As always, an interesting post. It's amazing how trends recur in different forms.

We aren't in the 2080's yet, but one evening I saw advertised on TV a device to enhance "buns". It fitted over your normal rear under your clothes and gave you more rump. I couldn't believe it! I haven't seen that ad since then (this was about a year ago, and it was one of those specials where, iyou should order it "right now" for "only .... whatever" (I don't remember the cost, I was laughing too hard).

PS: I deleted the comment above because of a grammar error.

Promotion Chair said...

Don't forget the work of Vivienne Westwood in the 1980's as well.

Molly M. said...

Great post. I loved seeing the transition in fashion. :) Actually, bum rolls were used prior to the 1580s. Their primary role was not only to give the illusion of a smaller waist and wide (child-bearing)hips, but also to help distrubute the weight of their heavy skirts which were most times cartridge pleated. I reenact the 1570s and I would not make it if I did not have a bumroll. My skirt alone is 5 yards of upholstry weight fabric. My hips and low back hurt just from thinking about not having that oh so crucial piece of underpinnings.

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