A PELISSE of fawn-coloured gros de Naples,* delicately embroidered in black outline down each side of the front where it closes, as far as to a very broad border of black velvet, which surrounds the skirt next the feet, nearly as high as to the knee; at the head of which is a trimming of light sable, or some other valuable light-coloured fur. The sleeves are à la Donna Maria,** and they are trimmed up the outside of the arm, where the sleeve tightens at the cuff, with fur. Round the waist, which is made plain, is a black velvet zone, clasped with a gold brooch. The collar of the pelisse turns back, and is surmounted by a French, double ruff of lace. The bonnet is of black velvet, trimmed with a bow of the same, and three aigrettes of blue corn-flowers and ears of corn; the aigrette in front larger than those on each side. A Chantilly lace veil is worn with this bonnet, which ties under the chin on the right side, with a bow of black satin ribbon. A boa tippet of marten skin is added to this appropriate winter pelisse. The half-boots are of fawn-coloured kid, tipped at the toe with black.
A DRESS of pink satin ; the border trimmed en jabots, with the same material, each one bordered by a broad, rich, white blond: these ornaments ascend from the hem next the feet, as high as to the knee. The corsage is made quite plain, with a very broad falling tucker of blond. Over short sleeves of pink satin fall long ones of blond, entirely à L’imbecile, without any confinement. A dress hat of pink satin forms the coiffeure: this is turned up in front, and lightly ornamented with small white ostrich feathers. A superb veil of white blond falls carelessly over each side, and at the back of the hat.
The jewellery ornaments worn with this dress are either pink topazes, or Ceylon rubies, set à l’antique, in fillagree gold. The shoes are pink satin, tied en sandales.
*"a corded Italian silk similar to Irish poplin."
**one of several types of very full sleeves. In this one "the fullness of the forearm is confined by a loop on the inner side from the bend of the elbow to the wrist." From English Women's Clothing of the Nineteenth Century, C. Willett Cunnington
There’s a big difference in how we use history. But we’re equally nuts about it. To us, the everyday details of life in the past are things to talk about, ponder, make fun of -- much in the way normal people talk about their favorite reality show.
We talk about who’s wearing what and who’s sleeping with whom. We try to sort out rumor or myth from fact. We thought there must be at least three other people out there who think history’s fascinating and fun, too. This blog is for them.