Saturday, February 17, 2018

Breakfast Links: Week of February 12, 2018

Saturday, February 17, 2018
Breakfast Links are served - our weekly round-up of fav links to other web sites, articles, blogs, and images via Twitter.
• Archaeologists think this spinning disk - at least 14,000 years old - may have been a child's toy. More about ancient toys and children here.
Tulipmania: the classic story of a 17thc Dutch financial bubble is mostly wrong.
• A grand piano bought by Queen Victoria as a gift to Prince Albert in 1854.
• The bloody world of Georgian female boxing.
• Filling in the 19thc history of pregnancy and dress.
Image: Believed to be the earliest identified sampler by an African American, this rare work from 1793 carries a beautiful message.
Queen Elizabeth I and Robert Dudley: the real story.
• The earliest photographs of the Henry Clay Frick mansion before it became an art museum.
Image: A delicate mourning bonnet, c1870.
• The beautiful chaos of improvisational quilts: jazz with a needle.
• For author Mark Twain, it was love at first sight..
• Seven black nurses who changed medical history.
Image: The contents of President Abraham Lincoln's pockets the night he was assassinated.
Video: The only artifact in the collection of Fort Ticonderoga certain to have been used by a woman.
• Get your quills ready: a short guide to making a medieval manuscript.
• Now on-line: the commonplace books of Lady Augusta Murray, who married George III's son, the Duke of Sussex, and had his children, but then saw their marriage ruled invalid.
Hungry for more? Follow us on Twitter @2nerdyhistgirls for fresh updates daily.
Above: At Breakfast by Laurits Andersen Ring. Private collection

Friday, February 16, 2018

A Marvelous Elephant Automaton, c1772

Friday, February 16, 2018

Susan reporting,

Everyone by now knows of the ongoing love affair that Loretta and I have for automata, those amazingly crafted and amazingly beautiful mechanized toys for their very wealthy. Somehow, I'd never come across this one before, and it's a stunner.

According to the information provided by Waddesdon Manor, the present owner of this automaton, this chased bronzed and bejeweled elephant was created in London around 1768-1772 by Hubert Martinet, described as a "businessman-entrepreneur" who likely oversaw a workshop of highly skilled French craftsmen. Many such automata were intended as gifts for Indian officials and rulers as part of the complicated trading protocol of the French and English East India Companies. For whatever reason, however, this elephant - glittering with gilt and paste jewels - was never sold for that purpose. Instead it was widely exhibited in London, Paris, and the Netherlands, passing through several owners. It was finally purchased by Baron Ferdinand de Rothschild sometime before 1889, and added to his collection of treasures at Waddesdon.

Musical automaton, signed Hubert Martinet, 1768-1772, Waddesdon Manor.

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Thursday, February 15, 2018

Thames Watermen & Their Wherries

Thursday, February 15, 2018
Thames Waterman—circa 1825
Loretta reports:

By 1833, the time of A Duke in Shining Armor, it would have been simple enough for my hero and heroine to get on a steamboat to continue upriver from Battersea Bridge. I decided to put them on a wherry instead. The chances of mishap on either vessel were good: Steamboats exploded, and wherries overturned or lost passengers overboard. And of course, I’m always looking for ways to make my characters’ lives difficult.

The wherries, about which I knew next to nothing, however, were aesthetically pleasing, and turned out to have a long history, while the watermen had a distinctive character.
“As may easily be imagined, they formed very much of a caste by themselves… They were a rough, saucy, and independent lot, if we may judge from allusions to them which occur in the novels, comedies, farces, and popular songs of the last century.”Old and New London Vol 3
Thames Wherries, Richmond 1829
As to their vessels:
Thames Wherries.—Of all wherries in the world, none are so beautifully modelled or so light and graceful as the "trim-built wherries" of the Thames. They are constructed upon the most scientific and approved lines; the numerous boatbuilders daily endeavouring to outvie each other. These boats are truly a pattern for all nations, and are the especial admiration of foreigners, particularly the smaller craft, adapted for a party of five or six. They have a beautiful sharp bow, with graceful proportions, carrying the beam well aft, or gradually flaring from the bows, and finishing with a neat tapering stern: a chair rail, for a support to the back, is prettily arranged round the stern-sheets, where the company sit.  —H.C. Folkard, Esq., The Sailing Boat 1863 3rd ed
Rowlandson, Thames Watermen 1807
Though I found images of wherries with a top covering, like the one described in the book, only recently did I come upon the term for these boats: “By a 'tilt' boat of course is meant a boat with a covering." —Old and New London Vol 3. Or, as the OED describes it: "tilt-boat n. [SE tilt-boat,] ‘a large rowing boat having a tilt or awning, formerly used on the Thames, esp. as a passenger boat between London and Gravesend."

Clicking on the image will enlarge it.  Clicking on the caption will take you to the source, where you can learn more and enlarge images as needed.

Monday, February 12, 2018

Hamilton vs. Burr: The Most Infamous Duel in American History, 1804

Monday, February 12, 2018

Susan reporting,

Loretta and I have been friends forever, and between us we've written a LOT of books. Over the years, there's been much commiseration over characters that don't behave, or plots that are hopelessly knotted, or cover art that's just so not what we'd imagined. But we had a first with our two current books: we both wrote stories with duels. (See Loretta's post about dueling pistols here, and a Friday Video about firing 19thc pistols here.)

Since my book - I, Eliza Hamilton - is a historical novel based on the life of the life of the wife of Alexander Hamilton, I don't think it's a spoiler to say that the duel in my story doesn't end happily for my protagonists. Early on the morning of July 11, 1804, Hamilton had himself rowed across the Hudson River to Weehawken, NJ for an "interview", the term for the arranged time for two gentlemen to meet for a duel, with Aaron Burr.  (For the background to the duel and its aftermath, see Affairs of Honor: National Politics in the New Republic by Joanne B. Freeman. Wonderfully detailed and readable, this is the same book that Lin-Manuel Miranda consulted while he was writing Hamilton: An American Musical.)

Following the conventions of the day, their seconds watched as witnesses, while the attending physician and the boatmen turned their backs. There was disagreement as to what exactly happened when the two pistols fired. Most believe that Hamilton intentionally fired into the air, satisfying the demands of honor, but keeping to his beliefs as a Christian by not taking another man's life. Burr, however, fired towards Hamilton, severely wounding him.

Partially paralyzed, bleeding profusely, and drifting in and out of consciousness, Hamilton was taken back to Manhattan to the house of Nicholas Bayard, upper right, where he died the following afternoon, surrounded by his grief-stricken family and friends. In addition to his widow Elizabeth Schuyler Hamilton, he left behind seven children, the youngest still an infant. Less than three years earlier, the Hamiltons' eldest son, Philip, aged 19, had also been killed in a duel defending his father's honor - possibly with the same pistols.

Even in an era long before social media, word of the duel spread swiftly, and by noon all of New York knew of it. The shock, outrage, and sorrow following Hamilton's death were immediate. he had been a popular man in the city he'd made his hometown, and the tragedy of his death plunged New York into deep mourning.

Burr, meanwhile, had fled to avoid being charge with murder. Although he had followed the rules of dueling, Burr was reviled for killing Hamilton, and while the murder charges were eventually dismissed, his life, fortunes, and reputation never recovered.

The entire country was stunned. How could the current vice president of the United States and the former Secretary of the Treasury - both respected gentlemen, lawyers, and veterans from the Revolutionary War - engage in a fatal duel for the sake of honor? The practice was deplored and defended, sermons thundered from pulpits, and the sight of Eliza shrouded in mourning with her fatherless children touched everyone who glimpsed it. Over two hundred years later, the Hamilton-Burr duel remains the most famous/infamous duel in American history, and likely the only one most modern Americans can name.

Within a year of Hamilton's death, a marble monument in his honor had been placed at the site of the duel at Weekhawken, left. Before long, souvenir-seekers had chipped away so many pieces of the marble that the monument was finally taken down around 1820, and later in the century the original dueling grounds were obliterated by railroad construction. Only the pitted marble plaque from the monument's base, lower right, now remains in the New-York Historical Society. Today the duel is commemorated in Weekhawken with a small park at the top of the Palisades overlooking the original site. The park includes a bust statue of Hamilton, the stone where he was traditionally believed to have rested against after being wounded, and a stunning view of the Manhattan skyline. It's become such a popular site for visitors that it now has it has a page on TripAdvisor.

The New-York Historical Society also owns exact replicas of the pistols used in the duel, above. The original 18thc pistols were made by the noted gunsmith Robert Wogdon in London, and belonged to Hamilton's brother-in-law, John Barker Church. The original pistols still exist, and are now in the headquarters of J.P. Morgan & Chase Company. This modern bank is the descendant of The Manhattan Company, founded by Burr in 1799 as a water service company - which quickly evolved into a bank to rival the Bank of New York, founded earlier by Hamilton.

Have I seen the original pistols? No; I haven't the heart (but you, who are of sterner stuff, can see a photo of them here). Seeing the replicas and realizing exactly how large the ball must have been to fit those barrels - and imagining the damage such a ball would cause - was enough for me.

And yes, when I wrote the scene with the aftermath of that duel through Eliza Hamilton's eyes, I cried.

Top: Hamilton-Burr Dueling Pistols, replica set, 1976, New-York Historical Society. Photo ©2017 Susan Holloway Scott.
Upper right: Bayard House (Where Hamilton Died), 1892, New York Public Library.
Middle left: The Monument to Alexander Hamilton by Pavel Petrovich Svinin, c1811-1813, Metropolitan Museum of Art. (black and white reproduction)
Lower right: Location Where Alexander Hamilton was wounded, maker unknown, 1805, New-York Historical Society. Photo ©2017 Susan Holloway Scott

Rediscovering an American Community of Color in Worcester

Martha (Patsy) Perkins, 1901
Loretta reports:

A little over a hundred years ago, a white photographer took hundreds of pictures of people in central Massachusetts. Among these were more than 230 portraits of people of color who lived within easy walking distance of my home. I had no idea this community existed until I went to see Rediscovering an American Community of Color: The Photographs of William Bullard at the Worcester Art Museum.

There are several amazing things about this exhibition. First, the glass negatives survived for over a century and ended in the hands of a collector who was also a devoted Worcester historian.* Second, the photographer’s logbook also survived, and stayed with the photographs. Third, thanks to his granddaughter’s making the connection between tiny numbers on the negatives and the logbook, it became possible to identify the people in the photographs. Thus, the Clark University students who researched the photographs were able to contact many of their subjects’ descendants. Also, during my third visit to the exhibition (yes, it’s that good, that moving), I got to meet one of those descendants.

The Beaver Brook neighborhood became a new home when the Ku Klux Klan and white backlash, combined with a national depression and the end of Reconstruction, destroyed the lives that former slaves had been making for themselves in the South. They came north, and some came to Worcester, “a city with a deep abolitionist tradition and influential white residents sympathetic to their plight.”**
Thomas A. and Margaret Dillon Family, about 1904

Since it’s impossible to do the show justice in a blog post, I offer links.

The Worcester Art Museum page on the Bullard exhibition includes several reviews well worth reading as well as a short YouTube video.

This exhibition runs until 25 February—only a few more weeks. However, thanks to Clark University’s collaboration with the museum, we can see many of the images at the website, Rediscovering an American Community of Color: The Photographs of William Bullard, 1897-1917.

There you’ll find not only a gallery of the photos, but also a page about the collection and the photographer, a map of the neighborhood in 1911, essays connected to the images, and a chance to add information and/or comment on individual photos.

I also highly recommend the beautiful exhibition catalog.

*Frank J. Morrill, a retired history teacher and collector, and definitely and delightfully a Nerdy History Person.
**quote from exhibition catalog.

Images: William Bullard, Martha (Patsy) Perkins, 1901  and Thomas A. and Margaret Dillon Family, about 1904, courtesy of Frank Morrill, Clark University and Worcester Art Museum.

Clicking on the image will enlarge it.  Clicking on the caption will take you to the source, where you can learn more and enlarge images as needed.
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