Thursday, November 30, 2017

Lord Raby's "Great Silver Wine Cistern," c1705

Thursday, November 30, 2017
Susan reporting,

While my last post featured the now-unknown 18thc child of a soldier living in a military encampment, this post features an 18thc child on the opposite end of the Georgian social ladder. Born into wealth and power, Charles James Fox (1749-1806) was the son of prominent politician Henry Fox, 1st Baron Holland, and Lady Caroline Lennox Fox, eldest daughter of the Duke of Richmond. Later in life, Charles became a noted statesman in his own right. 

But as a child, Charles was much spoiled by his indulgent parents. One famously appalling incident is recounted in the wonderful biography Aristocrats (by Stella Tillyard, 1994, Noonday Press):

"Once a grand dinner was held at Holland House for some visiting foreign dignitaries. The Fox children were brought in for dessert. Charles, still a toddler in petticoats, said he wanted to bathe in a huge bowl of cream that stood on the table. Despite [his mother's] remonstrances, [his father] ordered the dish to be put down on the floor and there, in full view of some of Europe's most powerful politicians, the little boy slopped and slid to his heart's content in the cool, thick liquid."

I remembered little Charles in the cream when, while wandering on the internet, I came across this splendidly ostentatious silver wine cistern, upper left. A little more sleuthing led me to the publicity photo, bottom left, of a modern toddler named Leo, gleefully emulating young Charles Fox. As you can see from the photo, right, the wine cistern (today it would be called a wine cooler) is enormous. It measures over 51 inches across the top handles and contains over 70 kilograms of sterling silver, and can easily hold more than a dozen bottles of wine. It's also plenty large enough for most any small lordling's impulsive cream baths, and several of his friends, too.  

But the wine cistern wasn't just a costly extravagance. Created in 1705-1706, this "great silver wine cistern" was commissioned by Thomas Wentworth, 3rd Baron Raby and Ambassador Extraordinary to Berlin between 1706-1701. Lord Raby's post was one of the most important abroad, and the cistern was part of his ambassadorial silver. The ambassador's silver service not only represented the wealth and magnificence of Queen Anne and the country she ruled, but its presence also honored foreign guests and dignitaries at state dinners. Made by Philip Rollos, Sr., in London, the cistern features a pair of patriotic British lions as well as the royal arms and cipher of Queen Anne.

Wine cisterns were the largest pieces in such a service, and so impressive that contemporaries waggishly likened them to boats and coaches. They weren't quite that large, but their size, containing so much silver, meant that some were melted down and remade into other items after the fashion for cisterns had passed. That, added to the fact that relatively few were made to begin with, means that today only a handful still exist. 

Lord Raby's cistern remained in his family for three centuries. It was finally put up for auction in 2010, and was kept from leaving Britain by a fundraising campaign by Leeds Museums and Galleries, augmented with grants from the National Heritage Memorial Fund and the Art Fund. The cistern can now be seen on display at Leed's Temple Newsom House - though cream-bathing is not an option.

For much more about the history of Lord Raby's wine cistern, see the catalogue description by Sotheby's here.

Photos, left, courtesy of Sotheby's.
Photo, right, ©2010 by Clara Molden for The Telegraph.

Tuesday, November 28, 2017

A Duke in Shining Armor Official Debut

Tuesday, November 28, 2017
A Duke in Shining Armor
Loretta reports:

Today’s the big day for A Duke in Shining Armor, the first in my Difficult Dukes series. Though it’s listed as a December book and though I’ve already seen it on some bookshop shelves—and happily signed the copies I found—today’s the official day.

You can read about the Difficult Dukes series here at my website. On the book’s website page, you'll find a back cover plot summary and an excerpt. And my website blog has and will continue to have posts related to the book.

Following is my book tour, actual and virtual:

Actual Tour

I'm looking forward to meeting readers at these events. I hope to see you there!

Loretta Chase & Caroline Linden: A Conversation
7 PM Wednesday 29 November 2017
Bacon Free Library
58 Eliot Street
Natick MA 01760
508-653-6730

Romance Event with authors Sarah MacLean, Maya Rodale, and Megan Frampton
7-8pm Thursday 30 November 2017
Savoy Bookstore and Café
10 Canal Street
Westerly RI 02891
401-213-3901

Romance & Respect
—with Joanna Shupe, Tessa Bailey, Megan Frampton, Tracey Livesay
7-8pm Wednesday 6 December 2017
Strand Bookstore
828 Broadway (& 12th Street)
New York NY 10003
212-473-1452

~~~
Virtual Tour

Cathy Maxwell & I will be discussing heroines at USA Today’s Happy Ever After. Details TBA

Heroes and Heartbreakers has published a short version of the excerpt (in case you’re pressed for time).

At RT Reviews, I offer the alarming truth about dukes in the early 19th century. Also, RT VIP Salon interviewed me; however, this material is available only to subscribers.

My work is mentioned at Racked, in an article about the term bodice rippers.

Publishers Weekly interviewed me for their article about consent in romance.

A Duke in Shining Armor has also received some very good reviews, including starred reviews in Publishers Weekly, Booklist, and Library Journal, and a Desert Isle Keeper Review at All About Romance.

That's all I can think of for now, but you can expect some book-related blog posts in the near future, here as well as at my website blog.

Sunday, November 26, 2017

The Littlest Camp Followers, c1775

Sunday, November 26, 2017
Susan reporting,

One of the things I appreciate most about the still-new Museum of the American Revolution in Philadelphia is the way the artifacts, videos, and exhibits are so much more inclusive than many more traditional exhibitions devoted to the Revolution and life in 18thc America. The stories told by the MoAR feature the familiar heroic actors like George Washington, but there are also many other individuals - including Native Americans, African Americans, and women - whose contributions and sacrifices have been too often overlooked, forgotten, or purposefully ignored.

This tiny earthenware lamb (only a few inches long) represents a group that was very much involved in the war, yet seldom mentioned: the children of soldiers. Along with their mothers and soldier-fathers, these children - often born during a campaign - were a familiar feature of 18thc armies. While the term "camp follower" conjured up titillating images like this, the reality was that the majority of the women traveling with the army were married to enlisted men; these women were often employed in laundering, food preparation, and tending the sick and wounded. Their children, of course, had little choice in the matter; they simply "followed the drum" because they followed their fathers.

Children appear in contemporary paintings of military scenes like the one shown here. The reality was likely much more rough-and-tumble, and combined with the real possibilities of danger, disease, and death, yet their presence at the time was unquestioned in a way that seems unfathomable to us today.

The lamb toy was excavated from a British Revolutionary War campsite near New York City, a British stronghold through much of the war. Made in England of white salt-glazed stoneware, the lamb could have crossed the Atlantic on board a troop ship with its owner, or been purchased in a New York shop.

The name of the lamb's young owner isn't known, nor are the circumstances of how it was lost or left behind at the camp. Lost toys are nothing new, nor, sadly, are children in the middle of wars. Still, I hope that both that long-ago child and his or her parents returned safely from the war, even if the lamb remained behind as a poignant reminder of a child in the middle of an adult conflict.

Thanks to Philip Mead, Chief Historian of the Museum of the American Revolution, for suggesting this post.

Left: Toy Lamb, England, 1750-1800, on loan from the New-York Historical Society to the Museum of the American Revolution. 
Right: British Infantrymen of a Royal Regiment in an Encampment, painter unknown, c1760, National Army Museum.

Wednesday, November 15, 2017

Thanksgiving Day's coming, and we're taking a break

Wednesday, November 15, 2017
Loretta & Susan report:

As we do every year, the Two Nerdy History Girls will take some time off to prepare for the Thanksgiving Day holiday, celebrated in the U.S. this year on the 23rd.

There will be food, way too much food, probably. There will be friends and family getting together. And there will certainly be thanks.

We’re thankful for many things, including our jobs, which we do believe are among the best in the world. We’re thankful for our readers, who support our work and continue to follow us on our nerdy history peregrinations.

Our voyages into the past will continue after the holiday.
We wish you an abundantly happy one.

Image: Greetings of Thanksgiving, postcard, New York Public Library Digital Collections image ID 1588398.

Tuesday, November 14, 2017

The Alexandra Palace

Tuesday, November 14, 2017
Loretta reports:

This qualifies as one of those things you don’t know that you don’t know. I knew about London’s Crystal Palace. Until I happened upon The Queen’s London, however, the Alexandra Palace meant nothing to me. The funny thing is, unlike the Crystal Palace, the Alexandra Palace is still there.

“What the Crystal Palace has been to the south, it was thought the Alexandra Palace would prove to the north, of London. The former was built of the materials used for the Exhibition of 1851 ; the latter, of those employed for the Exhibition of 1862. A superb site, north of Hornsey and east of Muswell Hill, was chosen for it, and it was opened in May, 1873. Fourteen days later the building was burnt down; and, Phoenix-like, the present structure rose from its ashes, being finished in just under two years. It is very fine in its way, and contains all manner of courts and a fine concert-hall. The grounds, too, with their ornamental water, are delightful. But for some years now, with the exception of an occasional Short season, the Palace has unfortunately been closed.

The Queen's London: A Pictorial and Descriptive Record of the Streets, Buildings, Parks, and Scenery of the Great Metropolis in the Fifty-ninth Year of the Reign of Her Majesty Queen Victoria 1897*

And so, one thinks, another amazing building lost. But no.
***
This northern rival of the Crystal Palace, finely situated on Muswell Hill, was, after a chequered career, acquired in 1901 for the public use, and is controlled by a board of Trustees representing various local authorities. The grounds, comprising over 160 acres, command fine views of London and the country to the north, and contain a boating lake, cycling track, swimming baths etc. The Great Hall will hold about 14,000 people, and has a fine organ. During summer, attractive concerts and other entertainments are given in the grounds. Adjoining is the Alexandra Park Racecourse.
A Pictorial and Descriptive Guide to London and Its Environs 1919

John Bointon, Alexandra Palace from the Air
Unlike other abandoned structures, and in spite of burning down twice, the Alexandra Palace not only survived that “chequered career” but is still in use today. It has quite a fascinating and eventful history, which I won’t attempt to summarize here. You can find out more at the palace website's Did You Know?” section. Wikipedia has a lengthy entry as well.
Details about the first fire here. Image of Belgian refugees housed in Palace here.


*My personal copy (couldn’t help myself, once I discovered the book’s existence), from which I scanned the image above, is dated 1896.
Color photograph below, Alexandra Palace from the Air, by by John Bointon, via Wikimedia.org, Creative Commons License.

Clicking on the image will enlarge it.  Clicking on the caption will take you to the source, where you can learn more and enlarge images as needed.
 
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