Here's another short video from our friends at Crow's Eye Productions, featuring two young rural women from 18thc Britain and how they dress for their day as harvest workers. I have to admit that they don't seem to be working particularly hard, but then they'll be working from dawn to dusk, so maybe they're pacing themselves.
Thanks to producer/costume designer Pauline Loven for sharing with us!
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Thank you for sharing our short video, and no they are not working hard! We couldn’t damage the crop in anyway so we were limited as to what we could do. The hay harvest was due to be brought in by machine a few days later, and we couldn’t even film the raking as it was to be baled, but I hope they get the gist!
What I find interesting is that their petticoats are noticeably shorter than those of more formally dressed women--at least for the early part of the 18th century, before skirts got a bit shorter in general. This would have practical, of course, but it's not a detail usually pointed out. Additionally, they are not wearing hoops of any sort.
Pauline, if you're still reading this thread, what sort of underlayers were used here? I know that one or more layers of quilted or stiffened under-petticoats could be used to add shape to a silhouette, but I don't see a hint of much except a shift, and perhaps a dickey and single under-petticoat.
Thanks for a good view of the clothing, and to Loretta and Susan for sharing!
Hi Lucy - working women kept their petticoat hems short enough so they could ascend stairs with their arms full and not risk tripping.
We experimented a bit with the clothing for the film, the women just wore shift, stays, two linen petticoats, apron etc. We didn’t work them hard as we couldn’t actually cut the crop, but we did interview them afterwards to find out how comfortable they were in the conditions ( a typical English July day) and they felt just right.
If you would like to read a realistic and truthful account of women at work in the hay-making, and what they wore, try chapter 14 of 'Tess of the d'Urbervilles'. Thomas Hardy would have witnessed these scenes many times in his childhood and adolescence near his home.
One of us -- Loretta Chase -- writes historical romance. One of us -- Susan Holloway Scott -- writes historical novels,and as Isabella Bradford, wrote historical romances, too.
There’s a big difference in how we use history. But we’re equally nuts about it. To us, the everyday details of life in the past are things to talk about, ponder, make fun of -- much in the way normal people talk about their favorite reality show.
We talk about who’s wearing what and who’s sleeping with whom. We try to sort out rumor or myth from fact. We thought there must be at least three other people out there who think history’s fascinating and fun, too. This blog is for them.
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5 comments:
Thank you for sharing our short video, and no they are not working hard! We couldn’t damage the crop in anyway so we were limited as to what we could do. The hay harvest was due to be brought in by machine a few days later, and we couldn’t even film the raking as it was to be baled, but I hope they get the gist!
Thanks for sharing!
What I find interesting is that their petticoats are noticeably shorter than those of more formally dressed women--at least for the early part of the 18th century, before skirts got a bit shorter in general. This would have practical, of course, but it's not a detail usually pointed out. Additionally, they are not wearing hoops of any sort.
Pauline, if you're still reading this thread, what sort of underlayers were used here? I know that one or more layers of quilted or stiffened under-petticoats could be used to add shape to a silhouette, but I don't see a hint of much except a shift, and perhaps a dickey and single under-petticoat.
Thanks for a good view of the clothing, and to Loretta and Susan for sharing!
Hi Lucy - working women kept their petticoat hems short enough so they could ascend stairs with their arms full and not risk tripping.
We experimented a bit with the clothing for the film, the women just wore shift, stays, two linen petticoats, apron etc. We didn’t work them hard as we couldn’t actually cut the crop, but we did interview them afterwards to find out how comfortable they were in the conditions ( a typical English July day) and they felt just right.
Hi,
If you would like to read a realistic and truthful account of women at work in the hay-making, and what they wore, try chapter 14 of 'Tess of the d'Urbervilles'. Thomas Hardy would have witnessed these scenes many times in his childhood and adolescence near his home.
Regards.
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