After posting the early film clip from 1896 of a snowball fight, the creation of the pioneering French film-maker Louis Lumière (1864-1948), I looked for more of his work to share here.
This short silent clip is known as Workers Leaving the Lumière Factory in Lyon (La Sortie des Usines Lumière à Lyon), and it's exactly that. Using natural daylight, Lumière set his camera across the street from the exit of his family's factory at closing time and recorded the workers – mostly women, though there are a few men in top hats – leaving for the day, plus a single large, inquisitive dog. Lumière filmed the same scene three times, on three different days, which accounts for the varying light as well as other differences like the carriages that come through the gate.
While I love seeing the clothes worn by everyday working women (plus the hats!), this film is famous for another reason. It was one of ten short films shown together to an audience on December 28, 1895 at the Salon Indien du Grand Cafe on the Boulevard des Capucines in Paris, making this the first public screening of films with an admission fee charged. Each film ran about 50 seconds, shown through a hand-cranked projector. And, as the old saying goes, the rest is history.
These factory gate films were common from about that time in the industrial towns of the UK. Mitchell and Kenyon was a big maker. It was a marketing gimmick -- they shot the film on the Thursday (for fairground owners usually) who told everyone to come along to the fair on Saturday to see themselves in the tent show cinema. Probably the first and only time most were ever on the screen. I bet they were as popular in other countries in Europe and I guess in the US. Google the name Mitchell and Kenyon to see working class working clothes, though every now and then a boss appears in his silk hat or a foreman in his Derby.
Its interesting that some of the women wear hats and some of them dont. Class? Age? All of them wore aprons though. Which is something I wouldnt have thought of as streetwear at this time. Thanks for sharing this video!
One of us -- Loretta Chase -- writes historical romance. One of us -- Susan Holloway Scott -- writes historical novels,and as Isabella Bradford, wrote historical romances, too.
There’s a big difference in how we use history. But we’re equally nuts about it. To us, the everyday details of life in the past are things to talk about, ponder, make fun of -- much in the way normal people talk about their favorite reality show.
We talk about who’s wearing what and who’s sleeping with whom. We try to sort out rumor or myth from fact. We thought there must be at least three other people out there who think history’s fascinating and fun, too. This blog is for them.
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2 comments:
These factory gate films were common from about that time in the industrial towns of the UK. Mitchell and Kenyon was a big maker. It was a marketing gimmick -- they shot the film on the Thursday (for fairground owners usually) who told everyone to come along to the fair on Saturday to see themselves in the tent show cinema. Probably the first and only time most were ever on the screen.
I bet they were as popular in other countries in Europe and I guess in the US.
Google the name Mitchell and Kenyon to see working class working clothes, though every now and then a boss appears in his silk hat or a foreman in his Derby.
Its interesting that some of the women wear hats and some of them dont. Class? Age? All of them wore aprons though. Which is something I wouldnt have thought of as streetwear at this time. Thanks for sharing this video!
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